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Archaeoacoustics, a new interdisciplinary branch of science has the potential to uncover the behavior of sound at sacred places. It is the combination of Architecture and Acoustics, aimed to study Sound and its perception at various sacred and worship places. Musical instruments have been found at various places of different period. Auditory cortex of human produces greatest response to frequency range 400-4000 Hz. Echoes and Resonances are the most prominent phenomena related to sound at various sacred & worship places. At any such place source of sound is either manmade or natural. Different shapes, geometry and size of sacred places in-variantly effects sound and its propagation, its various parameters. This new branch of interdis-ciplinary is able to answer How our ancestors were understanding/perceiving sound ? Was there any mental comfort involved ? Why they were feeling different at sacred/worship place ? How music evolved ? At world level there have been considerable amount of research in this growing field. Peoples have worked on various megalithic, prehistoric sites in U.K, Ireland, Serbia, Italy, Spain, Portugal, U.S.A etc. .In India, from last twenty years study is being carried out, but it is still in beginning stages. Nagar, Dravida & Vesara are the main styles followed in Hindu temples. Texts like Mayamatam, Mansara, Mansollas etc describes many types construction plans, geometry, methods. Stupa symbolizing the parinirvana of Lord Buddha, is believed to have risen from prehistoric mound building tradition. Although Jain stupa architecture according to historian is amalgamation of Hindu & Buddhist, we believe that it also stemmed from mound building tradition. In this paper we are proposing the methods which should be followed for future re-search in India. Also Which acoustic parameters needs to be evaluated, criteria for site selection have been discussed in respective section. We have listed the subjective, objective and derived acoustic parameters which need to be considered for sacred & worship places, in the methodology section. We have analyzed sound produced from rock gongs, shankha available on internet. We also carried out some statistical analysis in MS-Excel. From it we have deduced that value of mean, median, range are very important in order to look for frequencies, to which auditory cortex, ear canal shows greatest response. We have concluded that, since the recording is done with mobiles and not properly, there is need to record the sound produced from rock gongs with the help of advanced instruments.
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